Worse still was that the results couldn’t compete with my other noise reduction tools.Īfter this poor experience I wrote off DeNoise AI and ignored my free upgrade until late 2019. I tried the beta version of the software it was simple to use but also extremely slow processing. More recently Topaz switched to AI processing for some of their products including DeNoise. It also required a lot of slider tweaking to achieve the best results. Consequently, I tended to only use it on my most noisy of images. What I can remember when using DeNoise back then was that it was effective, but also that small adjustments often had a huge impact on the results. Back then, when you purchased a Topaz product you received free updates for life but that’s since changed as I’ll discuss shortly. I can’t remember when it was launched but I recall using it at least 10 years ago. Topaz DeNoise was around for a long time before it became DeNoise AI. Instead, I want to discuss how to use the software and how practical it is to use in real world situations. But that’s not what I want to cover in this review. Over the period I’ve been using the software I’ve seen it turn unusable, noise shots into beautiful clean images I can submit to my stock library. The Topaz Website heading claims “Surprisingly good noise reduction with Topaz DeNoise AI” and I must admit that I agree. Today I want to look at the subject of noise reduction by reviewing Topaz DeNoise AI. Clicking on these links and subsequently placing an order will result in me earning a small commission that directly helps support this website.Topaz DeNoise AI Review – Real World Noise Reduction I was not paid by Topaz Labs to create the content in this post. The products referenced on this page contain affiliate links to Topaz Labs. Use code MATIASH15 at checkout to save 15%. On top of that, Topaz Labs was kind enough to provide a discount code that will allow you to save 15% off all their apps (even if they're already on sale). In both cases, using these purpose-driven apps worked exceptionally well and truly did save these legacy photos. Sharpen AI was able to snap detail back to photos that just barely missed critical focus and that would otherwise be rejected. In the case of noise reduction, DeNoise AI mitigated noise while preserving edge details and preventing any area from getting mushy. I’d just load my photo into the app that did what I needed to do-reduce noise or add detail, respectively-and sit back. While the results themselves were noteworthy, what really caught my eye was just how automated everything was. I wasn't sure what to expect, but I'll save you the anticipation. In most cases, the "corrected" results looked worse than the originals.Īfter doing some research and chatting with a few photography friends, I got turned on to Topaz DeNoise AI and Sharpen AI. With the sharpening, I'd see an excess of added artifacts and noise get introduced. With the noise reduction, any visible effect would also obliterate any edge details, rendering the image into a mushy mess. Unfortunately, Lightroom's noise reduction and sharpening tools only made things worse. Unfortunately, that's where things fell apart pretty quickly, especially when it came to mitigating the extreme noise and lack of sharpness that these images suffered from. These were photos taken with cameras that I can barely remember using, but they held promise and I wanted to take a crack at editing them. During that cathartic exercise (really, I recommend everyone does this), I found a whole bunch of old photos that I forgot about. Then, a few weeks ago I went on a photo purge of legendary proportions in an effort to reduce the overall footprint that the files were taking up on my hard drives and cloud backups. And that's the way things went for a very long time. Anything that Lightroom couldn't handle, or that required more refined content-aware heavy lifting was offloaded to Photoshop. Just about everything that I needed to do in terms of organizing and editing my photos was handled by Adobe Lightroom (both Classic and the "New Coke" flavor). For the past few years, I've been totally content with keeping my entire photo editing worldview pegged to the Adobe ecosystem.
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